Lenscratch
http://lenscratch.com/2018/09/susan-kae-grant/

Lynda.com course with Ben Long:
https://www.lynda.com/Photography-tutorials/Photography-Advanced-Composition/630617-2.html

Time Magazine October 13, 2014 Niki Shadow Porait

 The selected phrases below are samples from the lab recordings that can combine with a project précis by Grant to formulate the book’s introduction or other text element appropriate to the design concept.

Turning pages searching for a number… Not anchored by a bed… I don’t want that and I don’t know why… Filled with fluid… Frosted glass encounter… An understanding we won’t reveal…Sex is interrupted… These hands listening… We act like we don’t know one another… I don’t remember how he got in… She’s trying to seek comfort… Not old enough to be away from it’s mother… A secret place to come back to… She’s afraid to stop… No one ever finds the room… … It’s broken but I can use it… She’s grasping her behavior… A place to come back to… They’re all trying to get in while I’m trying to get out… Smooth like a conductor… She turns into a man… I don’t know why I’m moving… Hands outstretched… Afraid because we found each other’s secret… I am the cat and the mouse… There is an understanding… Something needs constant attention… What’s being offered?... I am the participant and the observer

TWS: Endmatter: Essays:??
End matter can further contextualize the project, including critical writing by independent curators Deborah Willis, Trudy Wilner Stack, or art historian Claude Baillargeon (all of whom have followed and addressed the project from early on).

Dr. John Herman authored an essay that speaks to the link between art and science and describes the Night Journey project as “an artistic interpretation of REM sleep dreaming that is faithful to the properties of dreams that were simultaneously emerging from sleep laboratory studies: the de-saturated appearance, the indistinct, ethereal properties of seemingly familiar objects, and the strong narrative quality.”